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This was Jane Birkin's first British motion picture in a decade. The movie shot 7 weeks on location in Egypt in late 1977. Four weeks filming were on the steamer Karnak (the historic ship SS Memnon see the ship PS Sudan in service given that 1921) and the rest at locations such as Aswan, Abu Simbel, Luxor, and Cairo (tod auf dem nil albert finney).

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and shooting at 6 a.m. to accommodate a two-hour delay around noon when temperatures hovered near 54 C (130 F). Bette Davis wryly commented, "In the older days, they 'd have developed the Nile for you. Nowadays, movies have actually become travelogues and actors, stuntmen." John Guillermin commented that the Egyptian federal government were encouraging of the film because there were many Agatha Christie fans in the country, and the story "was unpolitical".

They were subsequently moved from hotel to hotel, often every day. Director Guillermin was never allowed to see the rushes. By order of the producers, video was sent directly to them in London. A lighter moment happened throughout a love scene between Chiles and MacCorkindale, when a hostile desert fly landed on Chiles's teeth (tod auf dem nil albert finney).

Guillermin discovered the shoot logistically challenging because of the heat and the boat, which sometimes ran aground. However he enjoyed the cast: The more experienced people produced a really generous environment. They were not impatient at all. I have never dealt with Bette Davis before and was informed she was professional but not communicative.

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During the breaks, the cast would often sit to one side engaged in terrific discussion. There was Ustinov's excellent wit and Niven's dry humour. Jack Warden is a really funny guy and Mia Farrow is an uproarious female. This was a bunch of individuals who might unwind. "Poirot can be a cold fish, but here we made him more humanistic and warm, thinking about young individuals for circumstances", said the director.

Amongst his touches were shoes for Chiles that included diamond studded heels that originated from a millionaire's collection and shoes worn by Davis made from the scales of twenty-six pythons. Cinematographer Jack Cardiff states he and Guillermin decided to offer the film "an old fashioned 30s appearance". The choreography for the tango scene was offered by British dancer Wayne Sleep.

Niven would fly from London to Switzerland on weekends during shooting to sit by her bedside. For the US market, artist Richard Amsel was commissioned to do a movie poster which showed the US public interest in " King Tut" at the time. Although it was a British film, Death on the Nile first premiered in New York, on 29 September 1978, to accompany the sale of tickets for the Metropolitan Museum of Art's opening on 15 December 1978 of the travelling exhibition, which had stimulated interest in Egyptian artefacts.

In London, there was a Royal Charity Best at the ABC Shaftesbury Avenue on 23 October 1978, attended by the Queen, Prince Philip and Earl Mountbatten. The film was anticipated to be popular with audiences following on the heels of Murder on the Orient Express, the most effective British movie as much as that point.

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